Moir's Pencil, 2017 (posthumous collaboration), archival digital pigment print, graphite
Love & Longing, 2018 - Exhibition curated by Mel Day, Root Division, San Francisco (Installation view - Left: Moir Clements/Mel Day; Middle: Moir Clements/Laurence Upton; Right: Jonn Herschend)
Whistle + Shipwreck, 2005
Wall of Song Project: Feeling Good, 2019-2022 Durational evolving video and choral ensemble, half-time performance, video installation, and cycle of public events in collaboration with Dr. Carter-Francique, SJSU Institute for the Study of Sport, Soci
Wall of Song Project: Feeling Good, 2019-2022 "It's a New Dawn, It's a New Day", Celebrating and Advocating for the 50th Anniversary of Title IX, evolving multi-channel video installation, hybrid series of multi-media events, half-time performances,
Wall of Song Project: Feeling Good, 2019-2022 Inaugural Live Half-time Performance, Jumbotron video and choral ensemble, in collaboration with Dr. Carter-Francique, SJSU Institute for the Study of Sport, Society & Social Change, hundreds of participa
Wall of Song Project: Feeling Good, 2019-2022 Durational evolving video and choral ensemble, half-time performance, video installation, and cycle of public events in collaboration with Dr. Carter-Francique, SJSU Institute for the Study of Sport, Soci
Wall of Song Project: Hallelujah, 2017, (video still), evolving participatory video and sound installation and live performance launched on Inauguration Day simultaneously in Washington, D.C. and at the San Jose ICA, TRT: 6:11 / wallofsongproject.com
Wall of Song Project: Hallelujah (with artist Michael Namkung), 2017, evolving video installation, live performance with 500 ilve/remote voices at Grace Cathedral, San Francisco, CA
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How Great Thou Art, 2005, performance, video and sound installation (picturing the artist and her partner singing and treading water in a turquoise blue pool while its raining)
Threshold, 2012, Mel Day and Jeanne Finley in collaboration with Stanford's Center for Computer Research in Music and Acoustics, Lytton Older Adults Senior Center, Threshold Palliative Choir; Palo Alto Art Center and Zero1 Biennial Commission, live p
Djerassi Creek, 2015, video installation still
Instructions for Perpetual Light Series, 2014-, lightbox, digital pigment print on archival dura trans; photo credit Jeffery Cross
Center for Experimental Contemplatives, 2012, Row boat, book, custom coat, notebook, Installation view - The Lab
Stanford Memorial Church Sound and Light from Sunrise to Sunset, video installation, lightbox, six months of SMC interfaith services sound with all language edited out
Painting Cathedral Rock, 2016, two-channel video installation, performance

Work / Projects

Work / Projects
QUEERBALL.jpg
QUEERBALL, 2022-
Wall of Song Project: Feeling Good (2019-2022)
Wall of Song Project: Feeling Good (2019-2022)
Remote Preparation: Curatorial Essay + Video Screening, V-Tape, Toronto
Remote Preparation: Curatorial Essay + Video Screening, V-Tape, Toronto
Curator: Love and Longing
Curator: Love and Longing
Wall of Song Project: Hallelujah
Wall of Song Project: Hallelujah
Moir’s Pencil, A Posthumous Collaboration
Moir’s Pencil, A Posthumous Collaboration
Painting Cathedral Rock
Painting Cathedral Rock
The Cloud of Unknowing
The Cloud of Unknowing
Truth in Song: For the Lovers of Truth Everywhere
Truth in Song: For the Lovers of Truth Everywhere

News

Contact us.

MEL DAY
melissa AT mmd DOT ca